maulstick


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Related to maulstick: Zakynthos

maul·stick

also mahl·stick  (môl′stĭk′)
n.
A long wooden stick used by painters as a support to keep the hand that holds the brush from touching the painting surface.

[Partial translation of obsolete Dutch maalstok : malen, to paint (from Middle Dutch, from mal, a spot, mark) + stok, stick.]
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

maulstick

(ˈmɔːlˌstɪk) or

mahlstick

n
(Art Terms) a long stick used by artists to steady the hand holding the brush
[C17: partial translation of Dutch maalstok, from obsolete malen to paint + stok stick1]
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

maul•stick

(ˈmɔlˌstɪk)

n.
a stick that supports an artist's working hand.
[1650–60; partial translation of Dutch maalstok, literally, painting stick = mal(en) to paint + stok stick]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
ThesaurusAntonymsRelated WordsSynonymsLegend:
Noun1.maulstick - a long stick that a painter uses to support the hand holding the brushmaulstick - a long stick that a painter uses to support the hand holding the brush
stick - an implement consisting of a length of wood; "he collected dry sticks for a campfire"; "the kid had a candied apple on a stick"
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
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References in periodicals archive ?
Vettriano took on a new physio to get his rehab on track and does exercises with paint brushes and a maulstick to help his recovery.
His brush handles are lying in clumps of paint, his sketches are underfoot, his empty matchbook is on the floor behind him, and his maulstick (used to support the hand while painting) is beneath the chair and out of reach.
Her well-turned plump hands are at work with maulstick, palette and brushes on a small tender canvas of the Virgin, who is holding up the infant Jesus's face for Him to receive her kiss.