cruddy

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crud·dy

 (krŭd′ē)
adj. crud·di·er, crud·di·est Slang
Worthless, loathsome, or disgusting.

crud·di·ness n.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

cruddy

(ˈkrʌdɪ)
adj, cruddier or cruddiest
1. dirty or unpleasant
2. of poor quality; contemptible
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014
ThesaurusAntonymsRelated WordsSynonymsLegend:
Adj.1.cruddy - characterized by obscenity; "had a filthy mouth"; "foul language"; "smutty jokes"
dirty - (of behavior or especially language) characterized by obscenity or indecency; "dirty words"; "a dirty old man"; "dirty books and movies"; "boys telling dirty jokes"; "has a dirty mouth"
Based on WordNet 3.0, Farlex clipart collection. © 2003-2012 Princeton University, Farlex Inc.
Translations

cruddy

[ˈkrʌdɪ] ADJasqueroso
Collins Spanish Dictionary - Complete and Unabridged 8th Edition 2005 © William Collins Sons & Co. Ltd. 1971, 1988 © HarperCollins Publishers 1992, 1993, 1996, 1997, 2000, 2003, 2005

cruddy

adj (+er) (inf)blöd (inf), → bescheuert (inf)
Collins German Dictionary – Complete and Unabridged 7th Edition 2005. © William Collins Sons & Co. Ltd. 1980 © HarperCollins Publishers 1991, 1997, 1999, 2004, 2005, 2007
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References in periodicals archive ?
These are banal occurrences such as a car breaking down, a lost washing machine lid, or the everyday cruddiness of enervating environments unfit for living that occur beneath the threshold of eventfulness--that is, they do not register as 'spectacular forms of death that capture and rivet the imagination of late liberal societies' (Povinelli, 2011a: 146).
The figures have been collaged onto the canvas, then overpainted to veil their specificity; the source material is, as Drexler herself once said, "hidden but present, like a disturbing memory." The resulting jerry-built, cobbled-together look--and a repertoire of images that highlights crime, violence, and sexual conflict--serves as a reminder that what might once have looked like glossy, airbrushed promises of happiness are shadowed by a film-noir sense of doom and a disillusioned eye for the culture's underlying cruddiness. Warhol showed Marilyn Monroe as an eternal icon, tragic yet ever-perfect; Drexler gives us a Marilyn Pursued by Death, 1963, its two black-and-white figures outlined in red in motion on a black field.
Prince's pictures are, of course, rephotographs; the cruddiness of the original reproduction magnified by their re-reproduction.