Elgin Symphony Orchestra musicians Greg Flint, principal horn; Steven Replogle, horn; Daniela Folker, principal violin II; and concertmaster Isabella Lippi will be showcased in the ESO premiere of
Georg Philipp Telemann's majestic Concerto for Two Horns and Two Violins this weekend.
In chapter 1, "Eisenach (1685-95)," for example, readers encounter a brief description of
Georg Philipp Telemann's activities in Eisenach that alerts them to a stele (erected in 2012) with the inscription, "Here he created the new form of the Protestant church cantata" (p.
Works of German composers
Georg Philipp Telemann and Johann Sebastian Bach will be performed along with works of American composer Steve Reich by a quartet of wind instruments.
(8) In support of this rule, the article cites eighteenth century authorities: Tosi,
Georg Philipp Telemann, Agricola, Friedrich Wilhelm Marpurg, Johann Adam Hiller, Mancini, Domenico Corri, Johann Carl Friedrich Rellstab, Johann Baptist Lasser, and Johann Friedrich Schubert.
The performance featured Johann Sebastian Bach's Concerto for Two Violins and Strings, Antonio Vivaldi's Concerto for Two Violins and Strings,
Georg Philipp Telemann's Concertos for Four Violins, and Arcangelo Corelli's Concerto Grosso no.
The music that matches all these words will be drawn from sources as different as German Baroque composer
Georg Philipp Telemann and here-and-now Eugene composer Paul Safar, who has created four commissioned pieces specifically for this concert.
The distinguished young Czech oboist Vilem Veverka has chosen for his profile CD, on which he presents himself as a soloist for the first time, two cycles created by two significant composers divided by more than two centuries:
Georg Philipp Telemann, the German Baroque master and an incredibly prolific artist who enriched the history of music with over one thousand works, and Benjamin Britten, evidently the greatest, or at least the most influential, 20th-century English music creator.
Bach,
Georg Philipp Telemann und die Osterkantate "Gott hat den Herrn auferweckt" Wq 244', demonstrates in its richness of detail how the scrupulous study of extant documentation connected with an individual work can uncover significant biographical information.
They played music German composer
Georg Philipp Telemann's Tafelmusik III and Die Donnerode, for which they were joined by a choir and five solo vocalists.
The 58 letters--which are presented in their original German with English translations on facing pages--reflect developments in aesthetics, music theory, music culture, and music making during the Enlightenment period, and in them, he discusses the music of Carl Philipp Emanuel Bach,
Georg Philipp Telemann, Carl Heinrich Graun, Johann Friedrich Agricola, and others; the Berlin opera; his treatise on the musical settings of texts; and nonmusical topics like the Seven Years' War, the Prussian court, his family, and the rising middle class.
The point is well made by a simple list of 18th-century German composers born before Haydn: Johann Pachelbel (1653-1706),
Georg Philipp Telemann (1681-1767), Johann Sebastian Bach (1685-1750), Georg Friedrich Handel (1685-1759), Johann Joachim Quantz (1697-1773), Johann Adolf Hasse (1699-1783), Carl Heinrich Graun (1703-59), Franz Benda (170986), Frederick the Great of Prussia (1712-86), Carl Philipp Emanuel Bach (1714-88), Johann Wenzel Anton Stamitz (1717-57), Johann Friedrich Agricola (1720-74) and Georg Anton Benda (1722-95).