Chicana


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Chi·ca·na

 (chĭ-kä′nə, shĭ-)
n.
A Mexican-American woman or girl. See Usage Notes at Chicano, Latina1.

[American Spanish chicana, feminine of chicano, chicano; see Chicano.]

Chi·ca′na adj.
American Heritage® Dictionary of the English Language, Fifth Edition. Copyright © 2016 by Houghton Mifflin Harcourt Publishing Company. Published by Houghton Mifflin Harcourt Publishing Company. All rights reserved.

chicana

(tʃiːˈkɑːnə)
n
(Peoples) a female with Mexican roots who lives in the United States
adj
(Peoples) relating to Mexican-American women
Collins English Dictionary – Complete and Unabridged, 12th Edition 2014 © HarperCollins Publishers 1991, 1994, 1998, 2000, 2003, 2006, 2007, 2009, 2011, 2014

Chi•ca•na

(tʃɪˈkɑ nə, -ˈkæn ə)

n., pl. -nas.
a Mexican-American girl or woman.
[1965–70; < Mexican Spanish, feminine of Chicano]
Random House Kernerman Webster's College Dictionary, © 2010 K Dictionaries Ltd. Copyright 2005, 1997, 1991 by Random House, Inc. All rights reserved.
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References in periodicals archive ?
Chicana artists "wanted to extend their vision by sampling the vocabularies and sedimented artistic traditions of their own communities," characterized by amalgamation and fusion of traditions across the Americas (Ybarra-Frausto 12).
I started a film production company and produced "Las Mujeres de la Caucus Chicana," "Women of the Chicana Caucus."
Chicana and Chicano Mental Health provides a fine model to address the special mental health and service challenges affecting Mexican immigrants and Mexican-Americans, and comes from an author who holds more than thirty years of experience as a clinical psychologist.
Out of the margins; identity formation in contemporary Chicana writings.
In her classic Borderlands/La Frontera: The New Mestiza (1987) Gloria Anzaldua identifies the position of feminism on the borders, an open wound for Anzaldua, and it has become a reference point for the representation of Chicana subjectivity.
Thus, this article documents how we, two Chicana tenured professors from immigrant and working-class backgrounds, drew upon our graduate school experiences as resources for navigating the tenure track.
The keynote address was based on my forthcoming book Dissonant Divas in Chicana Music: The Limits of La Onda (University of Minnesota Press, 2012).
As Debra Castillo describes in her article "Chicana Feminist Criticism" (1-19), "until astonishingly recently, Anglophone Chicana literature has been institutionally homeless, perceived as marginal, or second rate, thus not respected within English Department circles," yet critics have also "made Anzaldua 'the representative' of 'the border'" (Baca 21).
To breathe life into her tale, Blackwell taps deeply personal oral histories of the Chicana feminist pioneer Anna NietoGomez, a leader of Las Hijas de Cuahtemoc, a feminist group founded in 1968, and its surviving members.
* ON CREATING HER ALTER EGO: La Chica Boom is informed by my Queer Chicana wit.
This article analyzes patterns of change offered by the theater of the marginalized, with particular emphasis on Hispanic Americans and Cherrie Moraga's Watsonville: Some Place Not Here--a play by a Chicana writer.

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