Even Calvino in the Cosmicomiche, Ti con zero, and Palomar tried to reproduce in literature cosmological theories, or a type of expression appropriate to the scientist, although perhaps, in regard to Gadda, his proofs are more similar to exercises, experiments worthy of a member of the Oulipo society, in which the scientific habit makes Gadda's observations on nature assume the
illuministic structure of the philosophical story, and his prose, the geometric dimension of a combinatorial art.