gray-pink

Pictured here in gray-pink, it is available in two additional colorways.

in reference to this particular self-portrait, he writes of his struggle "to get the combination of ashen and gray-pink tones" against a "background of pale malachite." However in a letter to his friend Paul Gauguin, he reveals something of his need to stress his own personality in this self-portrait.

Using a time-lapse technique, Dynys in a certain sense recapitulated the spectacular natural event, made up of impressive vortexes of light, conveying it as uninterrupted flashes, first in green tones, then gray-pinks, and finally violent reds.