Stevenson and Anthony's pieces are only two of the atmospheric works in the UNT Special Collections that employ both pre-existing techniques and new musical ideas regarding sectionality, variable durations, and other flexible elements, such as orchestration, to create an appropriate atmosphere and overall musical background for the supernatural on film.
(100) Generally speaking, the socio structural cross sectionality and the resulting overlapping of cleavages has developed new party conflict lines, which goes beyond the classical left-right scheme.